浮雕是將立體的形體崎嶇緊縮在平面上的一門(mén)雕塑技能，為了讓大家更好的認(rèn)識(shí)這類(lèi)產(chǎn)品，下面山東浮雕雕塑廠家就來(lái)講講浮雕雕塑的四種表現(xiàn)方式。

Relief sculpture is a kind of sculpture skill that compacts the rugged three-dimensional shape on the plane. In order to let everyone know this kind of products better, the following Shandong relief sculpture manufacturers will talk about the four ways of expression of relief sculpture.

起位式

Lifting type

起位，這種方式具有一定的裝飾性，多用于建筑裝飾上。起位，它具體指的是浮雕外輪廓與背景之間交界處的垂直突起的立面，它在整個(gè)浮雕中起著重要的作用。由于浮雕凸出于平面立體形象與底平面之間的起位，在光的作用下形成線的感覺(jué)，而這種“線”又可以使形體與形體之間的距離拉開(kāi)的同時(shí)，又能很好的使形象從背景中凸顯出來(lái)，形成獨(dú)立、鮮明、清晰而統(tǒng)一的一種形象。

This way has a certain decorative effect and is mostly used for architectural decoration. The elevation, which specifically refers to the vertical protruding facade at the junction between the relief outline and the background, plays an important role in the whole relief. Because the relief protrudes from the position between the plane three-dimensional image and the bottom plane, it forms a sense of line under the effect of light. This "line" can make the distance between the body and the body open, and at the same time, it can make the image stand out from the background, forming an independent, bright, clear and unified image.

比例壓縮式

Proportional compression type

比例壓縮式，是具象寫(xiě)實(shí)風(fēng)格中常見(jiàn)的一種表現(xiàn)方式，這種方式創(chuàng)始于希臘，它是指在對(duì)浮雕進(jìn)行塑造時(shí)，根據(jù)透視規(guī)律對(duì)物體按一定的比例進(jìn)行壓縮，并按近厚遠(yuǎn)薄、近大遠(yuǎn)小的規(guī)律將形體壓扁，它強(qiáng)調(diào)的是景物的立體真實(shí)感，以及合理的空間關(guān)系與層次關(guān)系。

Proportional compression is a common way of expression in the style of representational realism. It was founded in Greece. It refers to the compression of objects in a certain proportion according to the laws of perspective when sculpting reliefs, and the flattening of objects according to the laws of near thickness, far thickness, near large, far small. It emphasizes the three-dimensional reality of the scene, as well as reasonable spatial and hierarchical relationships.

錯(cuò)覺(jué)式

Illusory type

錯(cuò)覺(jué)式與比例壓縮式不同的是，它的塑造空間薄，不能按比例壓縮式去表現(xiàn)多層次的人物或景物空間，只有采用重疊的方式，或者把前后層次的高點(diǎn)處理在平面上，利用視覺(jué)的錯(cuò)覺(jué)式去處理，這種方式一般用于超薄浮雕和多層次浮雕上，生活中我們比較常見(jiàn)的有錢(qián)幣、紀(jì)念幣、書(shū)籍封面的裝幀以及小型浮雕。

The difference between the illusion type and the proportion compression type is that its molding space is thin, and it can not be used to represent multi-level characters or scene space in a proportion compression type. Instead, it can only use the overlapping method, or treat the high points of the front and back levels on the plane, using the illusion of vision. This method is generally used for ultra-thin reliefs and multi-level reliefs. We often see coins, commemorative coins Book cover binding and small relief.

納光納陰式

Naguang Nayin type

納光納陰式放到后講，是因?yàn)榧{光納陰這種方式是由我國(guó)現(xiàn)代雕塑家鄭可先生，在中西方浮雕藝術(shù)特點(diǎn)的基礎(chǔ)上，發(fā)展而來(lái)的一種新方式，它主要是“以刀代筆”，用“繪畫(huà)”的方式闡釋浮雕的制作過(guò)程。

To put it later, the "light and yin" style is because it is a new way developed by Mr. Zheng Ke, a modern sculptor in China, on the basis of the characteristics of Chinese and Western relief art. It mainly uses "knife instead of pen" to explain the production process of relief in the way of "painting".

浮雕雕塑的四種表現(xiàn)方式就講解完畢了，希望能夠給您好的幫助，當(dāng)然在此還需要對(duì)其完成產(chǎn)品進(jìn)行維護(hù)，才能更長(zhǎng)久的使用，更多事項(xiàng)就來(lái)我們網(wǎng)站http://1111tk.cn咨詢！

The four ways of expression of relief sculpture have been explained. I hope I can give you some help. Of course, we also need to maintain the finished products here to make them more durable. Please come to our website for more information http://1111tk.cn consulting service