從材料不同分,影壁分青磚影壁和琉璃影壁,石影壁很少見,磚影壁中常局部使用石活。
From different materials, the shadow wall is divided into green brick shadow wall and glazed shadow wall. Stone shadow wall is very rare, and stone is often used locally in brick shadow wall.
影壁的名稱根據(jù)位置和平面形式而定,有座山影壁、一字影壁、八字影壁和撇山影壁之分。
The name of the shadow wall depends on the location and plane form. It can be divided into mountain shadow wall, one character shadow wall, eight character shadow wall and mountain skimming shadow wall.
**種是琉璃影壁,主要用在皇宮和寺廟建筑,*具代表的是故宮和北海的九龍壁。
**One is the glazed shadow wall, which is mainly used in imperial palaces and temple buildings, * represented by the Forbidden City and the nine dragon wall in the North Sea.
第二種是磚雕影壁,大量出現(xiàn)在民間建筑中,是傳統(tǒng)影壁的*主要形式。其中一些影壁的須彌座采用石料雕制,但極其罕見。
The second is brick carving shadow wall, which appears in a large number of Chinese folk buildings and is the main form of Chinese traditional shadow wall. Xumizuo in some of the shadow walls is carved from stone, but it is extremely rare.
第三種是石制影壁,移建到北海公園的鐵影壁就是完全用石頭雕制的,民間很少出現(xiàn)。
The third is the stone shadow wall. The iron shadow wall moved to Beihai Park is completely carved from stone, which rarely appears among the people.
第四種是木制影壁,由于木制材料很難承受長久的風(fēng)吹日曬,一般也比較少見。
The fourth kind is wooden shadow wall. Because wooden materials are difficult to withstand long-term wind and sun, it is generally rare.
還有第五種影壁,磚瓦結(jié)構(gòu)或土坯結(jié)構(gòu),壁身完全披蓋麻灰,素面上色,有的還雕嵌磚材圖案或文字,這一類影壁也不在少數(shù)。
There is also a fifth kind of shadow wall, brick and tile structure or adobe structure. The wall body is completely covered with hemp ash and painted on the plain surface. Some are also carved with brick inlaid patterns or characters. This kind of shadow wall is not a few.
浮雕的制作過程:。
Production process of relief:.
1,浮雕方案的設(shè)計:通過溝通,玻璃鋼雕塑確定設(shè)計方案,這樣才能進(jìn)行下一步的工作。
1. Design of relief scheme: determine the design scheme of FRP sculpture through communication, so as to carry out the next step.
2,泥稿的制不銹鋼雕塑作過程:這一步材算是真正意義上的開始做浮雕了,泥稿制作的好壞決定*終效果,所以在泥稿完成后一般會經(jīng)過多次校正和審查。
2. The process of making stainless steel sculptures with clay manuscripts: this step is really the beginning of relief carving. The quality of clay manuscripts determines the final effect. Therefore, after the completion of clay manuscripts, they will generally be corrected and reviewed for many times.
3,浮雕翻制:在泥稿經(jīng)過多多輪校正和修改后,經(jīng)過審查滿意后就開始進(jìn)行翻制了,一般都是先做石膏?;蚬枘z模,翻制成玻璃鋼,鑄銅,砂巖等材質(zhì)的作品。
3. Embossment reproduction: after many rounds of correction and modification, the clay manuscript will be reproduced after being reviewed and satisfied. Generally, gypsum mold or silica gel mold will be made first to turn it into works made of FRP, cast copper, sandstone and other materials.
4,浮雕上色:根據(jù)客戶不同需求,后期進(jìn)行顏色處理。
4. Embossing coloring: according to different needs of customers, color processing is carried out in the later stage.
5,浮雕安裝玻璃鋼雕塑:這是*后的一步了,也是很關(guān)鍵的一步了,由于現(xiàn)在雕塑工程質(zhì)量出現(xiàn)很多的事故,所以浮雕作品安裝時一定要固定好,要確保工程質(zhì)量同時盡量保持浮雕的完整性和性。
5. Installation of glass fiber reinforced plastic sculpture in relief: This is not only a step after * but also a key step. Because there are many accidents in the quality of sculpture Engineering, the installation of relief works must be fixed. First, ensure the engineering quality and try to maintain the integrity and perfection of relief.