1、 浮雕的制作大致可分以下幾個(gè)方面；材料分為粘土、油泥、木板、玻璃板、石膏粉、泥塑刀。 劃線造型以木板或玻璃板為底，敷泥寫生，視泥板如紙，以刀作筆劃線矩形，力求輪廓準(zhǔn)確，形象生動。
1. The production of relief can be roughly divided into the following aspects; The materials are divided into clay, oil mud, wood board, glass board, gypsum powder and clay knife. The scribing shape is based on wood or glass plate, covered with mud and sketched from life. The mud plate is like paper, and the rectangle is scribing with a knife as a pen, so as to strive for accurate outline and vivid image.
2、定位：根據(jù)裝飾主體之需要確定浮雕的高低深度，室外和遠(yuǎn)觀的裝飾浮雕可高；近觀與室內(nèi)的裝飾宜低。浮雕的高低標(biāo)準(zhǔn)稱為“立位”，即浮雕形象邊線垂直于底板的直光面，它是決定浮雕高低的標(biāo)尺，也是決定浮雕造型輪廓形象的邊線。立位確立則進(jìn)入形象細(xì)部、結(jié)構(gòu)的塑，從斜位、圓位來表達(dá)，斜位轉(zhuǎn)折有力，圓位則過度柔和。浮雕的技法除定位技法外，還包括有：如筆觸、刀痕、泥質(zhì)、肌理以及雕塑的塑造技法等等。
2. Positioning: first, determine the height and depth of the relief according to the needs of the decorative body, and the outdoor and remote decorative relief can be higher; Close view and interior decoration should be low. The height standard of relief is called "standing position", that is, the edge line of relief image is perpendicular to the straight surface of the bottom plate. It is not only the ruler that determines the height of relief, but also the edge line that determines the outline image of relief shape. The establishment of standing position enters the shaping of image details and structure, which is expressed from oblique position and circular position. The oblique turning is powerful, while the circular position is excessively soft. In addition to the positioning techniques, the techniques of relief also include: such as brush strokes, knife marks, mud, texture, sculpture shaping techniques and so on.
3、以代：裝飾浮雕不同于比例壓縮浮雕，它恪守著浮雕面嚴(yán)整的平面感，這不僅是視覺欣賞的需要，而且是實(shí)用與建筑的要求，這要求激發(fā)了浮雕應(yīng)用光陰來塑形象的技藝既要保持浮雕面的平整，又要達(dá)到形象立體感的效果，以代巧用光影就成為裝飾浮雕的特殊技巧和裝飾手法之一。
3. Instead: decorative relief is different from proportional compression relief. It scrupulously abides by the strict plane feeling of the relief surface, which is not only the need of visual appreciation, but also the requirement of practicality and architecture. This requires to stimulate the skill of using time to shape the image of relief. It should not only keep the relief surface flat, but also achieve the effect of three-dimensional image, Instead of skillfully using light and shadow, it has become one of the special skills and decorative techniques of decorative relief.
4、浮雕翻成，若愿加工上色，可直接以廣告色噴涂，可成石質(zhì)效果。還可做成金屬效果，以清漆打底，再涂上油畫顏色及金銀粉則具金屬之一質(zhì)感，一件浮雕裝飾品即成。
4. If you want to process and color the relief, you can directly spray it with advertising color to form a stone effect. It can also be made into a metal effect, with varnish as the base, and then coated with oil painting color and gold and silver powder, which has one of the metal textures. It is a relief decoration.
5、彩塑的創(chuàng)作設(shè)計(jì)，要求繪、通盤考慮，它不是簡單的雕塑著色，而須示“色、塑并成”，俗稱“三分塑，七分畫”。為了便于繪畫，在泥塑上大膽地省略了形體面的起伏，有時(shí)甚多次對表面進(jìn)行打磨拋光。彩繪與描畫加強(qiáng)和豐富了雕塑形象的生動性與表現(xiàn)力。一些造形上的裝飾品、道具，還可用其它材料制作。如冠、首飾、刀劍等，可以用木、鐵、羽、布做成。這種在雕塑上應(yīng)用各種材料塑造形象的合作方法，也是裝飾雕塑的特點(diǎn)。
5. The creation and design of colored sculpture requires drawing and overall consideration. It is not a simple sculpture coloring, but must show the "combination of color and plastic", commonly known as "three plastic and seven painting". In order to facilitate painting, the ups and downs of the body surface are boldly omitted from the clay sculpture, and sometimes the surface is polished for many times. Color painting and painting strengthen and enrich the vividness and expressiveness of the sculpture image. Some ornaments and props in shape can also be made of other materials. Such as crown, jewelry, sword, etc., can be made of wood, iron, feather and cloth. This cooperative method of using various materials to shape the image in sculpture is also the characteristic of decorative sculpture.
The above is the wonderful content provided by Xiaobian today. For more wonderful content, please click to enter our official website: Shandong relief sculpture manufacturer http://1111tk.cn
