浮雕圖案樣式豐富多彩，它既代表著中華民族的悠久歷史、社會的發(fā)展進步，也是世界文化藝術寶庫中的巨大財富。浮雕較圓雕的不同是經(jīng)形體壓縮處理后的二維特性。浮雕與圓雕有著相對的平面性與立體性，與圓雕相比，浮雕通常按照繪畫原則來處理空間和形體關系，浮雕空間壓縮程度控制，要依據(jù)所要表現(xiàn)對象的功能、主題、環(huán)境位置和光線等因素。
The pattern of relief is rich and colorful. It not only represents the long history of the Chinese nation and the development and progress of society, but also a great wealth in the treasure house of world culture and art. The difference between relief and round sculpture is the two-dimensional characteristics after shape compression. Relief and round sculpture are relatively flat and three-dimensional. Compared with round sculpture, relief usually deals with the relationship between space and form according to the painting principles. The compression degree of relief space should be controlled according to the function, theme, environmental position, light and other factors of the object to be represented.
根據(jù)壓縮空間的高低，形成浮雕的兩種基本形態(tài)，即高浮雕和低浮雕。高浮雕起位相對較高，形體壓縮程度較小，空間構造和塑造特征方面更相似于圓雕，高浮雕往往利用三維形體的空間起伏或夸張?zhí)幚?，形成濃縮的空間深度感和強烈的視覺沖擊力，使浮雕藝術對于形象的塑造具有一種特別的表現(xiàn)力和魅力。
According to the level of compressed space, two basic forms of relief are formed, namely high relief and low relief. The starting position of high relief is relatively high, the degree of body compression is small, and the spatial structure and shaping characteristics are more similar to round sculpture. High relief often uses the spatial fluctuation or exaggeration of three-dimensional body to form a concentrated sense of spatial depth and strong visual impact, which makes the relief art have a special expressiveness and charm for the shaping of image.
我們經(jīng)常在寺院浮雕照壁中看到很多浮雕，有深淺浮雕之分，淺浮雕起位低，形體壓縮大，二維特性較強，較接近于繪畫，不是靠實體性空間來創(chuàng)造空間形象，通常多數(shù)是利用繪制法、透視法等處理方式來形成較抽象空間形式，這有利于提升浮雕對載體的依附性。深浮雕呢，就是采用淺浮雕的手法，將浮雕刻畫的更為立體感。
We often see many reliefs in the relief wall of the temple, which can be divided into deep and shallow reliefs. The low starting position of shallow reliefs, large body compression and strong two-dimensional characteristics are closer to painting. They do not rely on the substantive space to create the spatial image. Most of them use drawing method, perspective method and other processing methods to form a more abstract spatial form, which is conducive to improving the dependence of reliefs on the carrier. Deep relief is to use the technique of shallow relief to make the relief more three-dimensional.
浮雕在內(nèi)容、形式和材質上均比較豐富多彩，這點與雕塑、繪畫一樣。既可以相對獨立地存在，又可依附于某種載體。
Relief is rich and colorful in content, form and material, which is the same as sculpture and painting. It can not only exist relatively independently, but also be attached to a certain carrier.
在建筑及建筑構件上的使用受關注較多，用于建筑上的浮雕是指附屬于建筑物上內(nèi)外空間上的裝飾藝術，包括室內(nèi)外界面，它的空間方式與建筑的立面裝飾及構件、室內(nèi)的界面裝飾聯(lián)系密切，所以它是與建筑物聯(lián)系為緊密的一種藝術形式。
More attention has been paid to the use of buildings and building components. Relief used in buildings refers to the decorative art attached to the internal and external space of buildings, including indoor and outdoor interfaces. Its spatial mode is closely related to the facade decoration, components and indoor interface decoration of buildings, so it is an art form most closely related to buildings.
山東浮雕雕塑廠家浮雕是用壓縮的辦法來處理對象，靠透視、構圖等因素來表現(xiàn)三維空間，依附在一定的界面基礎上，供人們觀看，由于其壓縮的特性，所占空間較小，適用于多種功能空間、環(huán)境的界面裝飾。如果說建筑是凝固的音樂，那么雕刻鑲嵌的浮雕藝術便是立體的繪畫。
Shandong relief sculpture manufacturers use compression to deal with objects. They rely on perspective, composition and other factors to express three-dimensional space. They are attached to a certain interface for people to watch. Due to its compression characteristics, it occupies a small space and is suitable for interface decoration of multi-functional space and environment. If architecture is solidified music, then the relief art of sculpture and inlay is three-dimensional painting.
