Relief is also a common kind of sculpture, which is widely used in interior decoration and wall sculpture. Relief production can also be divided into high relief production, medium relief production and low relief production. And different sculpture techniques and techniques are different. So, what are the techniques of relief? Next, let's learn about it.

1、浮雕表現(xiàn)手法--鏤空法

1. Relief technique of expression -- hollow out method

這種技法在傳統(tǒng)的裝飾中運(yùn)用非常廣泛，許多老建筑，室內(nèi)裝飾，家具裝飾都有大量的鏤空浮雕。這種技法特點(diǎn)是去掉浮雕的低面，只保留浮雕物像，使畫(huà)面前后通透，精致生動(dòng)，有著強(qiáng)烈的層次感和立體感。

This technique is widely used in traditional decoration, many old buildings, interior decoration, furniture decoration have a large number of hollow relief. The feature of this technique is to remove the low side of the relief and only keep the relief image, making the picture transparent, delicate and vivid, with a strong sense of hierarchy and three-dimensional.

2、浮雕的表現(xiàn)手法-線刻法

2. The technique of expression of relief line carving

線刻浮雕是很古老的浮雕技法之一，通過(guò)陰刻的線條將形象表現(xiàn)出來(lái)，這種技法保留了線條的韻味，起伏微妙，繪畫(huà)效果突出。有的線刻浮雕，對(duì)局部特別是線條的體積稍加雕刻，形成淺淺隱隱的起伏變化，產(chǎn)生了奇妙的立體效果。

Line engraving relief is one of the very old relief techniques. It shows the image through the lines carved in the shade. This technique retains the charm of the lines, with subtle ups and downs and outstanding painting effect. Some line engraving reliefs carve the volume of parts, especially lines, to form shallow and faint ups and downs, producing a wonderful three-dimensional effect.
              

3、浮雕的表現(xiàn)手法-比例壓縮法

3. The technique of expression of relief - proportion compression

比例壓縮法是嚴(yán)格地對(duì)形體按由前后順序壓縮的方式，處于前面的部分在浮雕上很突出，處于后面的部分就貼在地板上，中間的部分就處于高點(diǎn)和低點(diǎn)之間，顯示出層次豐富和空間結(jié)構(gòu)的真實(shí)感。

The proportion compression method strictly compresses the form from front to back. The front part is very prominent on the relief, the back part is pasted on the floor, and the middle part is between the high point and the low point, showing the rich level and the realistic sense of spatial structure.

4、浮雕的表現(xiàn)手法-光影法

4. Light and shadow method of relief

光影法是利用光與面之間的不同角度所產(chǎn)生的明暗關(guān)系來(lái)塑造形象的立體感，既突起的部分亮，凹陷的部分暗或灰。所有的突起點(diǎn)都基本在同一個(gè)空間層次上，不注重區(qū)分對(duì)象本身的前后關(guān)系。這種表現(xiàn)手法注要是利用人的視覺(jué)錯(cuò)視達(dá)到空間層次的相應(yīng)效果。一些多人物，多層次的復(fù)雜構(gòu)圖以及不便于用高浮雕處理的浮雕，可以用這一方法表現(xiàn)，既把后面遠(yuǎn)處的形體拉到和前面近處的形。

Light shadow method is to use the light and shade relationship between light and surface to create the three-dimensional image, that is, the protruding part is bright, the concave part is dark or gray. All the sudden starting points are basically on the same spatial level, and do not pay attention to the relationship between the objects themselves. This kind of technique of expression makes use of people's visual error to achieve the corresponding effect of spatial level. This method can be used to express the complex composition of multi characters and multi-level and the relief that is not easy to handle with high relief, that is, to pull the shape far behind to the shape near the front.